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When I entered my MFA program, I was in for a shock. Despite being an author of five books, I realized I was barely reading one or two books a year. The passion my fellow students had for literature was initially intimidating. Little did I know that this experience would transform not just my reading habits, but my entire approach to writing.
The Reader’s Evolution
As writers, we often focus so intently on putting words on the page that we forget the importance of taking them in. My journey from casual reader to intentional literary explorer revealed a truth I now share with every aspiring writer: reading well is the secret ingredient to writing well.
During my MFA, I was forced to read extensively. At first, it felt like a chore. But soon, something clicked. I wasn’t just consuming stories; I was dissecting them, understanding their architecture, and absorbing their essence. This intensive reading period didn’t just improve my writing technique—it rekindled my love for words themselves.
The Writer’s Toolkit Expansion
After my MFA, I found myself craving books. My writing underwent a transformation. Instead of hoping my words would somehow form a coherent story, I could plan with intention. I knew which tools to use and when. My sentences became crisper, my narratives more compelling.
This improvement wasn’t just about technical skill. Reading extensively exposed me to a variety of styles, voices, and techniques. It was like having a personal masterclass with every author I read. Each book added new tools to my writer’s toolkit, tools I could then apply to my own work with confidence.
Beyond Technique: The Heart of Storytelling
As Director of Publications and Anthologies at Something or Other Publishing, I’ve seen countless manuscripts. The difference between those written by avid readers and those who rarely pick up a book is stark. It’s not just about grammar or vocabulary—it’s about understanding the very essence of storytelling.
In my course, “The Power of Story,” I emphasize the importance of reading. Why? Because great books teach us what works and what doesn’t. They show us how to balance exposition and dialogue, how to craft a plot that keeps readers turning pages, and how to create characters that linger in the mind long after the last page is turned.
Reading across genres is particularly illuminating. Romance teaches us about emotional resonance. Mystery shows us how to build suspense. Literary fiction demonstrates how to layer meaning beyond the words on the page. Each genre offers unique lessons in the art of storytelling.
From Consumption to Creation
The true power of reading for writers lies in its ability to transform us from mere consumers of stories to creators of worlds. When I wrote my first novel, “Cast Iron,” I used Jhumpa Lahiri’s “The Lowland” as a guide for building up to the inciting incident. This wasn’t mere imitation—it was learning from a master, then applying that knowledge to my own unique story.
Reading well teaches us to write well. It shows us how to define our view of the world through story, to give purpose to our words beyond mere chronology. Through reading, we learn to infuse our writing with meaning, to use characters and narratives as vehicles for exploring the human condition.
The Writer’s Reading List
While I don’t insist on specific books, I do encourage my students to read widely and intentionally. Some of my personal favorites that offer valuable lessons in storytelling include “Fear and Loathing in Las Vegas,” “The Wind Done Gone,” and “Mutiny on the HMS Bounty.” Each of these works demonstrates unique approaches to narrative, voice, and thematic exploration.
When reading as a writer, look beyond the story itself. Analyze the balance of elements, the pacing, the character development. Ask yourself: Why does this work? How has the author achieved this effect? How can I apply similar techniques to my own writing?
The Continuous Journey
Becoming a better writer through reading isn’t a one-time achievement—it’s a continuous journey. Even now, with multiple books under my belt and years of teaching experience, I still approach each book as an opportunity to learn and grow as a writer.
Remember: reading isn’t just about absorbing information. It’s about immersing yourself in the art of storytelling, understanding the nuances of language, and constantly expanding your creative horizons. Every book you read is a step towards becoming a better writer.
So, let me leave you with this advice: Read well, read deeply, and read well. Yes, I said that twice, because it’s that important. Great writing begins with great reading. The more you read, the more tools you’ll have at your disposal when you sit down to write. Your future readers will thank you for it.
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